Sunday, November 23, 2014

Review of Promethean Theatre Ensemble's The Winter's Tale

Once upon a time I went to a show and it was called The Winter's Tale. It was directed by Brian Pastor and it was written by William Shakespeare. It was about a man named Leontes (John Arthur Lewis) and he thinks that his wife Hermione (Cameron Feagin) is in love with his friend Polixenes (Jared Dennis). And he thinks he's under a plot to be killed. But he is just imagining all this stuff. So it gets him into a lot of trouble. He even rejects his own daughter Perdita (Paige Reilly) after she is born! This play is half tragedy and half comedy/romance. You get a lot of different tastes of different kinds of literature. The first half is kind of like Othello and the second half is kind of like As You Like It. I really enjoyed this show. I had a lot of fun and I think Promethean Theatre does a lot of great stuff.

My favorite characters were Paulina (Megan DeLay), Hermione, and Leontes. I thought they were very strong characters because they stood up for themselves, especially the women, which you don't always see in Shakespeare. I really liked Hermione. I think she seemed like she was a great mother because she seemed very sweet and she didn't want anyone to be hurt even if they had done something wrong. I thought she seemed very very brave in her trial. Even I wouldn't be that brave at trial if I was under arrest by my own husband. And I thought she did a great job of expressing her bravery but also how scared she was. I loved Paulina. I thought that she seemed like a very sassy woman, and I like sassy women. She was probably giving food and water to the woman who was supposed to die that she had saved. She could have been killed for telling people that this woman was dead instead of just stored in a cabin in the woods. She talks to Leontes like he has done something wrong and he has to fix it, but she's not so mean to him that he doesn't like her. I think that he is influenced by Paulina by the way that she talks to him and that influences him in the way that he admits his mistakes. Leontes was a very messed-up person, but at the same time he was a very likable person because he's not just like, "Well, I've killed my wife. Whatever." He knows he's done something wrong with his life. I think it is better to admit when you're wrong than just pretending to be right, and he learns to do that. Shakespeare wanted this play to be about love and consequences, but also about how to win back what you have lost.

In the second act, it was very whimsical. I really liked the Clown (Brian Hurst), Autolycus (Dave Skvarla), and the Shepherd (John Walski) because they were all very funny and that added a whimsical note to it after the last act which was very serious. I really liked the part after Antigonus (Brendan Hutt) had been eaten by the bear and the Shepherd and his son, the Clown, were talking about the baby they had just found but there was gold with it and a bracelet and some jewelry. And they were like, "This the best day ever! Woo hoo! I just saw a man get eaten by a bear but I don't care about that anymore. This is awesome!" I thought that was funny because it made no sense. You just saw a man get eaten by a bear and now you're like "This is awesome! Woo hoo!" It was such a change in feelings. Autolycus is basically the comic relief of the entire play. What he does is basically come around and steals money from people. It shows you how stupid the people he steals from actually are, because his methods are just so laughable. He also sells ballads and jewelry. His ballads are very funny because they are about, like, a woman who turns into fish because she wouldn't love the man who was in love with her. But I think if she wasn't in love with him, I don't think she should have had to turn into a freaking fish. He should have just had to deal with it. If a woman does't love you, you just have to move along.

My one problem with the show was the bear (Janeane Bowlware), which I thought was a little bit culturally insensitive because the bear seemed to me to be dancing in an African style and wearing African garments. And it used to be that Africans in America were treated like animals and property. I don't think that the director and choreographer (Alexa Berkowitz) meant to do it; I think it was a mistake, but I wanted them to know that it sort of gave off a kind of bad feeling. I also don't blame the woman who played the role of the bear. I understand that they wanted to do something differently because the bear is probably the hardest part of The Winter's Tale. You can't have a real bear, and if you just dress someone in a bear suit it looks kind of ridiculous.

They have a character called Time (Diana Coates) because they have to show there has been a passage of time so you don't not recognize the baby Peridita who has become a woman. Time talks about the passage of time and what it is like to be the Time god. She slides everywhere so that she can have the passage of time everywhere and that no one has too much of a certain moment. This is another example of how direct address can be so great in some productions. Shakespeare wanted to have a person represent time as it is to the audience, so it makes sense for the person to be speaking to the audience. I really enjoyed her performance. It was very lively and it made me very interested in the monologue. She clarified things that the audience might not understand with movements.

People who like this show are people who like time, forgiveness, and fish-woman ballads. I think that people should definitely go see this show. I had a lot of fun and I think you will too.

Photos: Tom McGrath

Saturday, November 22, 2014

Review of Griffin Theatre's Titanic

Once upon a time I went to a show and it was called Titanic. The music and lyrics were by Maury Yeston and the book was by Peter Stone and the new orchestrations were by Ian Weinberger. It was directed by Scott Weinstein and the music director was Elizabeth Doran. It was about the ship Titanic and what happened on it. It was about the stories of historical people (sometimes blended together or given different names) who survived or died on the Titanic. I really really liked this show. I thought it was sad but also funny. I felt so many emotions throughout the show, but I had a lot of fun. This show has great acting, a great set, and cool music!

The set (by Joe Schermoly) was really cool. I liked how it looked like the outside of a ship but they could rearrange it to look like a ballroom, a dining room, the bridge of the ship, the coal room, or the deck. The same thing happened with the costumes (Rachel Sypniewski), like how at first Emily Grayson was a 19-year-old girl and then she changed to being the wife of the man who ran the Macy's who was 60 year old by just switching her hat. Then she did that a bunch more times but with other hats. I really liked how when the ship was sinking, the chairs slowly came up. That made me very captured by the story because I imagined the chairs were floating in the water. I really liked the portholes because sometimes it seemed like people were going to sleep or being awake because the lights (design by Brandon Wardell) were turned off or on.

I loved the Kates. I thought it was funny how every single one of them was named Kate. Kate Mullins (Christine Mayland Perkins), she wanted to sew forever in America because back in Ireland she could not get a job. Kate Murphey (Kelley Abell) wanted to be a governess; and I am thinking to her, "Good for you". Maybe you will find a handsome rich man you can marry because in novels that is what always happens. Kate McGowan (Courtney Jones) was in love with a man named Jim Farrell (Kevin Stangler). They were one of the cutest couples on the ship. They were both super poor and from Ireland. They represent the third class people who are in love. They don't have a good life, they aren't rich, but they still try to make the best of life.

So here is a little paragraph about class. I think that class is stupid, personally, because all people are supposed to be equal, no matter how much money they have. Mrs. Beane (Neala Barron) thinks that she should be able to go and talk to famous people in the ballroom even though she is second class not first. But Mr. Etches (John Keating), the first-class steward, wants to keep her out. But then she goes and starts dancing with them, but they are like "No you cannot be in here. I am so fancy. You are so un-nicely dressed. I am better than you. Honh honh honh." Her husband (Jake Mahler) thinks that is not a good idea, and of course he is right, because she gets into trouble. But I still think she has the right plan. There is another couple that loves each other so much that class doesn't matter to them: Charles Clarke (Matt Edmonds) and Caroline Neville (Laura McClain). He should be in second class, and she should be in first class because she is a lady, the Lady Caroline. But they are both in second class together because they want to be together and she doesn't have any money at the moment because they are running away together.

My favorite song was "The Proposal/The Night Was Alive," when the stoker Fred Barret (Justin Adair) was talking to the telegraph man named Harold Bride (Royen Kent). I thought it was very sweet. It was kind of funny because it seemed like Fred was proposing to Harold but he was actually writing a telegraph to his sweetheart proposing to her. It is also kind of sad; of course he doesn't know he's going to be dead in the next 24 hours. Harold is singing basically about how he loves his telegraph so much because it made him connect those people and he came to love those people as he talked to them. This was my favorite song because it was so touching and so funny at the same time because of the way the telegraph man sings the song. I really liked the ditdadadadit because it sounded funny, that noise is just very funny. The next time you see the telegraph man he is screaming that we need a rescue boat and that there were all these iceberg warnings. The sound of the telegraph machine isn't funny anymore then because he is sad about it now and scared.

I found the song very sad where the guy who ran Macy's, Isador Strauss (Sean Thomas), and his wife Ida (Grayson) were singing to each other about how much they loved each other even when they were about to die, but it also made me happy that they loved each other so much. I think it made it sadder because they weren't sad because they loved each other. It still makes me sad right now. I hope you'll feel the same emotions I do, but I hope you are not a crying mess like I am right now. After you see this show just remind yourself that this will never happen again because they have enough lifeboats for everyone to be on now.

People who would like this show are people who like excitement, cute Irish couples, and telegraph machines. I think people should definitely definitely go see this show. It will make you laugh, it will make you sing, it will make you sob, and it will make you want to see this show over and over and over again.

Photos: Michael Brosilow

Friday, November 21, 2014

Review of Dee Snider's Rock & Roll Christmas Tale (Broadway Playhouse)

Once upon a time I went to a show and it was called Dee Snider's Rock & Roll Christmas Tale. It was directed by Adam John Hunter. It was choreographed by Robert Tatad and and the music supervision was by Doug Katsaros. It was written by Dee Snider. It was about a band called Daisy Cuter, I mean, Daisy Cutter, and they were a struggling heavy metal band. But then then this drunk guy named Scratch (Bill McGough) tells them to sell their souls to Satan and they think it will be really really metal. But then, of course, something has to go wrong. They suddenly start singing Christmas songs instead of heavy metal songs, but they don't mean to. The Christmas songs sound like heavy metal songs. Then everybody loves that, but they don't want to keep singing Christmas songs. So then they try to stop by having an exorcism. I thought that this was a really fun and great show. I just really enjoyed myself because it was really funny and Dee Snider does great music and you get to be very involved with the story.

I thought that the narration by Dee Snider was really awesome. This time I really liked the direct address. Sometimes I hate direct address because it takes people out of their character and it seems like you are not experiencing the story. But this was super funny and kept you interested in the story but didn't distract from the story. His Twisted Sister videos don't exactly seem like he's a big fan of Christmas. But I think this shows that all of us were wrong because after you have seen the show you realize how nice he is. He also doesn't act like you think a rock star would by being like, "I'm all metal! Listen to me if you want to be a rockstar like ME! You can't! Ha ha ha ha!" He doesn't seem stuck up. He seems stuck-down. Stuck down means the opposite of stuck up: you are nice to people and you don't think you are better than other people.

I noticed that the lead singer's name D.D. (Adam Michaels) kind of sounds like Dee Snider. And I think that Dee Snider was trying to make a point about rock and roll stars. That point was that even though he is a big rock star, he kind of started out like this. And D.D. also dressed in the opening number like Dee Snider did in the "We're Not Going to Take It" video. D.D. wore a giant blonde curly wig and that is Dee Snider's signature wig. Also they dressed in very very tight leggings, and the lead singer was in kind of a girly outfit (costumes by Suzette Guilot-Snider). I think that Dee Snider might have felt like that when he started out that, because he was the lead singer, he was better than everybody else. But he is not like that now. And D.D. learns not to be stuck up when Suzette (Keely Vasquez) sings that song to him. "You're Just a Punk Who Can Sing," which I think is probably the best title in the world.

I really loved Suzette and Ralph's (Wilam Tarris) relationship. I thought it was very funny and sweet. Like I really liked the scene where he was giving her a Christmas present but also while he was doing that scene he started playing with this toy Rudolph that he saved when they were burning all the Christmas stuff as part of the exorcism. He made it walk away and then it would seem like it pulled him towards the stage. It was so funny. I really liked how she started playing the drums because what he had gotten her was a pair of purple drumsticks. That showed you that Ralph wanted her to be interested in stuff that he liked so then they could be an unstoppable couple. He doesn't seem like the smartest person in the world, but he is still the most adorable. And I don't understand why everyone thought Suzette was so much older than him. I didn't think she looked old at all. I thought she was very pretty. I think that even if she was old, that would still be okay.

I really liked the "We're Not Gonna Take It/O Come All Ye Faithful" song. It was very very funny. Those are just two songs that are so different, but when you put them together it is actually pretty awesome. I also loved the scene with "I Wanna Rock" and "White Christmas." I thought this was one of the most comedic parts. I really liked how they had a dead Christmas tree on stage, but then it decided to light itself up. And when D.D, turned around he was like, "No! No!" and threw it off the stage. I just loved how when D.D. is singing and trying to tell everybody how much Christmas sucks, it turns out that a inflatable snowman wants to show everyone how much Christmas rocks. The inflatable snowman keeps showing up, but D.D. keeps beating it up. This scene shows you how the band wants to get D.D. back to not hating the music that the band plays. He hates it because it is Christmas music, and he is too metal for that. No one is too metal for Christmas though. Christmas can be super metal and the entire rest of the band knows that.

At the end a certain somebody (McGough) is giving out presents to everyone. And Tank (Tommy Hahn) gets Rock'em Sock'em Robots which he wanted when he was 10, but then he is still excited. They call him the angry one, but maybe if he had gotten his dream present a few years ago maybe they wouldn't still call him the angry one. And Johnny (Dan Peters) always wanted a little Angel, and so he got one, in other words, he got a girlfriend named Angel (Christina Nieves) who was one of the bartenders he always liked. I thought Angel and the other bartender Angie (Taylor Yacktman) were very funny. Their voices that they made whenever they talked around the band were very funny because they would kind of make a little fake-shy voice. I thought when they burst out with their singing at the end, I was like, "Whoah! They have great voices!"

People who would like this show are people who like metal Christmases, Dee Snider, and rocking inflatable snowmen. It was so much fun. I loved every single character and I think the story was fuh-larious. You shouldn't just go to see Dee Snider, you should go to see an amazingly Christmasy and rocking play.

Photos: Justin Barbin Photography

Wednesday, November 19, 2014

Review of Annie (Broadway in Chicago)

Once upon a time I went to a show and it was called Annie. It was directed by Martin Charnin and the book was by Thomas Meehan. The music was written by Charles Strouse and the lyrics were by Martin Charnin. It was choreographed by Liza Gennaro and the music direction was by Keith Levenson. It was about a girl named Annie (Issie Swickle) who was an orphan and she lived in an orphanage. But the head of the orphanage, Miss Hannigan (Lynn Andrews), was very mean to everyone. But then Oliver Warbucks (Gilgamesh Taggett), who is a billionaire, wants to take an orphan in and care for it for the next two weeks. When his secretary Grace Farrell (Ashley Edler) goes and chooses Annie to come and stay with them, Miss Hannigan was not happy. Then they decide to go look for her parents, with the help of President Roosevelt (Allan Baker), the entire government, a radio show, and Daddy Warbucks. I thought that this was a fun show. Everyone loves the songs and I thought it was clever and fun.

The show was very clever because of some of my favorite moments, like how whenever someone would say we need "a new…" and then it would be something different which is not a new deal. You expect that President Roosevelt is going to say "a new deal" because that is one of his famous phrases, but then it takes a super long time, until basically the end of the scene! Another clever line was the one where Miss Hannigan said, "Next thing you know they'll make this into a musical!" And they already have! And she's in it! And then the entire audience was laughing so hard. So, I thought that was pretty funny. I thought the entire radio scene was basically super clever. Like they had a puppet announcer (Brian Cowing), but of course you can't see a puppet announcer through a radio, so that was silly. I also thought the Boylan sisters (Lily Emilia Smith, Meghan Seaman, and Hannah Slabaugh) were pretty funny because they were doing all these dance moves that are supposed to be super cool and awesome, but no one can see them of course. And also they had a masked announcer (Todd Fenstermaker), which I thought was pretty funny because no one could see he had a mask on! And the tap dancing was also very funny, because they just used tap shoes not on Bert Healy's (Cameron Mitchell Bell) actual feet. They just tapped on a foley board with the foley guy's (John Cormier) hands. I also thought that the dog (Sunny, trained by William Berloni) was super adorable and clever because he would go from the middle of the stage and then go back and then come back out and he would just follow directions perfectly. It was amazing!

I thought that all the orphans were really awesome at something. Like Molly (Lilly Mae Stewart) was a really great actress. Duffy (Isabel Wallach), July (Angelina Carballo), and Pepper (Adia Dant) were amazing dancers. Kate (Sydney Shuck) and Annie were really great singers. Tessie (LillyBea Ireland) was very funny. Everyone loves the song "Hard Knock Life," and it is still going through my head today. I thought the choreography was really great because it was kind of like the cup song: they moved around the buckets to the tempo of the music. I thought that was really awesome.

I really liked Miss Hannigan; she is so evil but in such a funny way. Then also I really liked the song "Little Girls" because it seemed true that little girls could seem very very annoying. But also I don't think you should twist off their necks just because they are being annoying. I also thought that her costumes (by Suzy Benzinger) were really great because they seemed like her so much, like she was trying to be sexy and totally failing. They would have short skits and all, but the rest would be kind of ragged. I really liked the song "Easy Street" too. I've heard that phrase before, and I think that is where Miss Hannigan needs to go, but she has to earn it, not just go and kill little girls for their money. I really liked the dance. It was just so funny and so silly, like how the Rooster (Garrett Deagon) and his girlfriend Lily (Lucy Werner) were saying "Annie is the key!" and then suddenly Miss Hannigan just starts shaking her butt at the audience like an insane person.

My favorite scene was the oval office scene. I really liked President Roosevelt. I thought he was very funny. And then Annie comes in and wants to meet him so bad. And then she starts singing. And because he heard her sing on the radio, that made sense. And then my favorite part of it was how President Roosevelt was like, "All of you sing!" and then one of them, Ickes (Cormier), was like, "No, I won't sing" but then he finally does. But then by the end of it the guy who was like "I'm not going to sing" then is on his knees on the floor and his arms are spread out and he has a giant smile on his face and he is still singing. And I think that that was just super super funny.

People who would like this show are people who like awesome dogs, Franklin Roosevelt, and Easy Street. I think that people should go see this show. I had a lot of fun and the songs will be going through your head for a long time!

Photos: Joan Marcus

Tuesday, November 18, 2014

Review of The Humans at American Theater Company

Once upon a time I went to a show and it was called The Humans. It was written by Stephen Karam, and it was directed by PJ Paparelli. It was about a family who comes together for Thanksgiving and decides it is a great time to reveal all their secrets! Then, of course, that is not exactly the best idea because they are supposed to be thankful for what they have, but if they are just talking about all the bad things in their lives it doesn't make it a very happy event. I really really liked this show, and I thought it was a great idea. You wouldn't really want to see a really happy Thanksgiving on stage because that would probably be pretty boring. You want to have some tension in a show, but you don't want to have tension in your own Thanksgiving. Seeing this play makes me thankful that I don't have a family with a lot of scary secrets.

The people in the family are the mom (Hanna Dworkin) and dad (Keith Kupferer), and there is an old grandma named Momo (Jean Moran). Aimee (Sadieh Rifai) was the older sister. Brigid (Kelly O'Sullivan) was the youngest sister and it takes place at her apartment. She also had a boyfriend whose name was Richard (Lance Baker). The place that they are in is an apartment in New York and it looks pretty cheap. It has two floors, and that is a good thing. I liked how the set (by David Ferguson) made the two floors look really real and how they made it look like an actual house. It was kind of dirty and you could see the uneven splotches and stuff on the walls. That showed that Brigid didn't have the best life possible. I thought the sound effects (design by Patrick Bley) were also pretty cool because they were super funny. They were super loud; it was like the lady upstairs was throwing pots and pans on the floor. Usually the parents live out in a quieter country place, so they are like, "Why are they so noisy?!" And then they say, "Oh, she'll quiet down" but then she never does.

One of my favorite parts was when the mom and both the daughters were just putting up this lantern so they could see because the lights had gone out, and once they got it working they saw a cockroach. The noise they made was just hilarious. That told me what the women were like. They weren't fainting on the ground or anything, but they were still pretty scared. Then the men had to rush up because they wanted to see what was going wrong, but then, because everyone was gone downstairs, the grandma was going and trying to cook something. That is a problem because she can't really function very well. I think that was a great use of what you can do in a show where you can have two things happening at once, but the audience will still see what is going on in both places. When you see the grandma getting off the couch you are like, "Oh no!"

I thought that all the crazy dreams that Richard was having were pretty funny. Like how he fell through an ice cream cone made out of grass and turned into an infant, which I think is probably one of the strangest dreams I ever heard of. But he also just came out and said it like this was just like a normal topic. I thought that was funny because that is such an unusual thing to say. There were also more scary dreams, like the one where the dad had a dream about a woman with no face, and there was this skin over everything, but it was all stretched. I have actually had dreams like that, so I thought it was cool. You sort of find out what that means later in the play, but I can't tell you that because I don't want to give it away.

I really liked the tradition of the peppermint pig. I want one myself! It showed me that the family had very strong traditions because it seemed like they always did that. The pig reminded them of what they were thankful for and also that they were a family. They actually need that reminder because sometimes they feel like they are not actually a family anymore because they don't live in the exact same place anymore and they have different religions and they didn't like the same topics of conversation. They didn't like some of the same things to eat. After they break the pig, you feel really sorry for the family when the big secret gets revealed at the end. But you have to go to the show to find out what it is!

People who would like this show are people who like family, Thanksgiving, and peppermint pigs. I think people should definitely go see this show. It was an amazing play. It made me think a lot about my family and what might happen to it. This is a very serious play but they still find ways to make it funny. The characters always seemed to say what a real person would say in that kind of situation, and I thought that that was great writing!

Photos: Michael Brosilow

Ada Grey Interviews for You: Interviews with the team of Frederick at Chicago Children's Theatre

I had so much fun interviewing all these people for Frederick, the musical at Chicago Children's Theatre! It closes this weekend. Go see it! It was awesome. You can read my review here.

Part 1: Interview with Richard Juarez


Part 2: Interview with Nick Davio


Part 3: Interview with Stuart Carden


Part 4: Interview with Annie Lionni



Sunday, November 16, 2014

Review of Theater Unspeakable's The American Revolution at Adventure Stage Chicago

Once upon a time I went to a show and it was called The American Revolution. It was a devised piece directed by Marc Frost of Theater Unspeakable. All the actors were elevated on a small platform and they had to perform almost everything on it. The only time they didn't, it was only one guy and he had fallen into the water. So that made a lot of sense and I thought that was really awesome too. The effect of having it performed on the platform is the spectacle of seeing people put on this giant show, which is about war, in a a minimum amount of space. Usually when you see a show about war they use up the entire space because war is about a big thing happening to countries where they are fighting for something that they want. And they also made everything with their bodies. If someone was sitting in a chair, that chair would be made out of two people. I think that is a great idea because of a point that I found which is that when a war is happening or after a war everyone has to make things with their own hands because usually there is not much left for people. I absolutely loved this show and I think everyone should go see it. It is about the faults of governments, war, and freedom. They were trying to tell you a different story about the American Revolution from what you would just see in a history book. They made a twist on it. Even if you are in a small space with only a platform and some actors and no props at all, you can make a great show!

My favorite scene was the Philadelphia scene. It had General Howe (Vanessa S. Valliere) and one of his officers (Brittany Anderson) talking about where they were going to strike next. Then Howe started getting very obsessed with Philadelphia. Then he said, "Just keep your finger right there on Philadelphia and we'll come back to that later." And whenever the officer even moved his finger slightly, Howe would be like, "Nope. Put it back." I liked that so much because it was so funny. He was somehow just obsessed with this city. Also how angry the officer was getting was super funny. Howe would say, "Don't forget about Philadelphia. You won't forget about Philadelphia, will you?" And then the officer said, "Yes of course I would never forget about Philadelphia. Now back to the plans." And this went back and forth for a very long time and it was just hilarious. It was in the play because Howe actually went to Philadelphia instead of coming to the battle where he was supposed to meet the British soldiers and fight with them. If he'd shown up, the British might have had a better chance of winning the war.

I thought King George III (Aaron Rustebakke) was a very funny part of this. He would be going everywhere but he would still be swimming or in a bathtub or things like that. And someone else would be his legs. It was just so funny to see this because he would say, "What shall I do!?" and put his feet up next to his chin or wrap them around his neck, and that is not really possible to have them perfectly straight and as close to his body as they were. That impossibility just seemed so funny. King George was not very capable, but one thing he was capable of was being as flexible as heck! He wasn't flexible in a metaphoric way because he made really really stupid decisions. Like he decided to make everyone pay stamp taxes. I loved it when his messenger person [Quenna Lené] starting being like "Stampy stampy stampy!" but then suddenly she was tarred and feathered. That wasn't a very nice thing to do; she was just doing her job. But that does prove my point about how King George makes some pretty bad decisions.

I thought it was funny how they had the joke about the Adams family, because they had John Adams (Trey Hobbs), Abigail Adams (Anderson), and Nabby Adams (Lené). The joke was, they said, "The Adams family has to leave Boston" and then everyone broke into the song, "They're mysterious and spooky! The Adams family! Dadadada. Knock knock." I think one of my favorite characters had to be Nabby because she was just so adorable and funny and whenever something sad had happened, Nabby would shuffle around and slam doors in people's faces and that would make everyone laugh. I also thought that Abigail Adams was a great part of the story because in her letter she said "Remember that women have done stuff too, so they should be equal to men." But then women didn't get to vote for almost 150 years. And, children, that is the reason why women were not "created equal" for 150 years, because John Adams didn't listen to his wife!

Sam Adams (Kathleen Hoil) was basically a crook who had this gang of people who would dump tea into the harbor. So they had a tea harbor for a little while. That must have been nice. You could go swimming and have some lukewarm tea. He did that to show King George that this was a horrible idea to make everybody drink tea so he could get more money. I thought Sam Adams was very funny, especially how loyal people were to him. Like when somebody said, "I like tea!" he said, "No you don't" and they said, "No I don't. Of course I don't. I hate tea!" They were so loyal because they didn't want to get hurt by him. That is a very different view of the revolution than I had before I saw this show!

I really liked George Washington (Jeffrey Freelon). I thought he was very funny. I really liked the part where he was talking to Governor Dinwiddie (who was very Dim-witty, ba dump tshhh). Whenever Dinwiddie sent George Washington on one of his missions Washington would have a way of saying they should go, like "Tally Forth!" but then once he had said it once he had to say it a different way the next time to get them to go. I thought it was super cool how the same actor who played George Washington also played his slave, who fought in the war with him. It showed how George Washington treated his slaves; he treated him unlike himself even though in this production he was himself. The actor changed from being regal and famous-acting to being a shivering soldier trying to keep warm in a barn. It is a good idea to know that George Washington had slaves, to know that he is not a perfect person. He was a person who had flaws and he shouldn't be people's role model in how you should treat people. He could be a role model in being a soldier.

People who would like this show are people who like cute little girls slamming doors in people's faces, flexible kings, and Philadelphia. I think people should definitely definitely go see this show. I had so much fun. This is for kids and grown-ups. Go and see it with your friends and family. I absolutely loved it!

Photos: Johnny Knight