Once upon a time I went to a show and it was called The Shipment. It was by Young Jean Lee, and it was directed by Wardell Julius Clark. It was a compilation of different short monologues, dances, and scenes about race and representations of black experiences. The show tries to make the audience feel uncomfortable to make the point of the play more effective, and it flips the script to say how wrong people are to pretend that we live in a post-racial society. I think this is a really powerful show. It takes a while to process, which I think adds to the experience. It was a really great show. It is a lot to handle, and I think the playwright wants it to be that way. But the discomfort is important for everyone to feel. And once you've thought about it for a while, you can move past the discomfort and nonproductive guilt and think about all the true and thought-provoking things in the show and how you can notice more effectively the crap that is happening around you and respond to it in a way that helps the situation but without taking over.
There was this dance (choreographed by Breon Arzell) at the beginning of the show with Sheldon Brown and Hunter Bryant. They started doing this dance that seemed almost like marionettes and like they didn't want to do what they were doing. That was sad because what they were doing seemed enjoyable except that they seemed very forced. Then when the scene ended, they took off their cheesy grins and just became very serious and walked off very businesslike, like what they had just done was humiliating to them. I think they were trying to show a modern minstrel act where the enthusiasm is all a ruse and the audience is silently convicted for laughing at it at first. This is kind of an introduction into how the show is going to try to get across its points. Young Jean Lee also used discomfort to get across her points in Straight White Men, and it was really effective there too.
There was also a stand up comedian (Marcus D. Moore) and I thought I had a general idea what it was going to be like. But he proceeded to use stereotypes about every person in the theater in some way, even himself. It was very explicitly sexual and graphic. It was hard to hear, especially sitting with a bunch of people when he is saying terrible things about everyone. I couldn't decide if Lee wanted us to feel alone or not alone in this mockery. I thought I would feel alone and alienated, but since the comedian was stereotyping everyone, I ended up feeling less alone. And then the end of his speech he ended up talking about his wife and kids, and it made you feel bad about dismissing him as an jerk. I think it is supposed to make you confused about how to think about this character.
They also had a scene that sort of reminded me of an old video game because of the robotic tone in their voice and their back and forth movements. They seemed to have only about two movements for each character. The plot is the plot of a stereotypical cautionary-tale movie about a black kid (Eric Gerard) who wants to be a famous rap star, so his friend (Brown) convinces him to sell drugs. He ends up in jail, joins a radical group, and then he becomes famous. And then he feels awful and he confesses to God and his grandma (Kiayla Ryann) comes down from heaven and tells him a story about cranes. It is showing how all these stereotypes get replayed and replayed. And sometimes it seems like that is the primary story people tell about black people. This scene leads into three of the actors (Brown, Gerard, and Ryann) staring at you for a minute and then breaking into song (music direction by Sydney Charles). I thought it was a really powerful switch from them playing these really clunky stereotypes to just being real people looking at us.
The last scene of the show feels a lot like a short play. It is about five friends who are having a party and find out it is their friend Desmond's (Brown) birthday. And at first it just seems like a normal party, but as it goes on, you find out not everyone is as emotionally stable as you thought. It is really distressing to see all of these people fall apart, but it was also interesting to watch because the actors were so amazing. There is also a big reveal at the end that I'm not going to give away. It was hard to wrap my head around, but it made me think back on the scene and how it changed it. The fact that all these things would be changed with the new information made me really think that just by changing one thing about a character it can completely change the way we see the morality and behavior of that character.
People who would like this show are people who like flipping the script, chilling transitions, and productive discomfort. I think that people should definitely go see this show. I think it is a really important and thought-provoking show, and I want a lot of people to have this experience.
Photos: Austin Oie