Sunday, November 18, 2018

Review of Neverland at The Prop Thtr

Once upon a time I went to a show and it was called Neverland. It was devised by the ensemble and directed by Olivia Lilley. It was about a boy named Peter Pan (Gaby Labotka) who rescues children from earth at the worst moments in their lives and takes them to live in Neverland where they will never grow up. Everything seems to be going smoothly until Peter finds a girl, Wendy (Valeria Rosero), with whom he has become infatuated because of her stories, which he thinks she has written but are actually the TV show Jane the Virgin. When Wendy comes to Neverland, people start to turn on Peter and question if Peter's old-friend-turned-arch-nemesis Hook (Kate Black-Spence) is actually as bad as Peter makes her out to be. It is about irresponsibility, growing up, and the glorification of war. I think this is a really great idea for a show. It had a lot of great performances and it was a really thought-provoking experience.

I think it was really interesting how Peter Pan is not the hero of the play. At the beginning of the show it just seems like he is rescuing kids from terrible things happening to them. He's joyful, playful, and seems to care a lot about his friends. But later you see he is actually very controlling and irresponsible. He starts to only like playing dangerous and unforgiving games, in other words: war. He has a very interesting origin story: that he was one of the boys who played female parts in Shakespeare's plays. I thought it was a very nice reference to how Peter Pan is usually played by a woman. He was in this case too, but it is interesting to think about how the character of Peter Pan in this play grew up playing women. I like how it seems to come full circle.

I think it was very interesting to have Wendy be a "bad" girl instead of the mother-like, responsible girl she usually is. In this play, she's a drug dealer, sneaks out at night, and isn't traditionally nurturing. I did think that how bad she was might have been a little overkill because anything less than sweetness and perfection would seem unlike what we expect from Wendy. She ends up being the leader of "the rebellion" and liberating the lost children by showing them what Peter is really doing. I think Wendy is a interesting character because of how she is the opposite of what you expect her to be, but she still ends up being an unexpectedly nurturing character. Nurture doesn't always look the same, and I think the way she shows it is a very unfiltered way of caring for other people, which gives her even more layers.

The character of Hook was so interesting and very well performed. Usually Hook is just the evil guy and doesn't really have another purpose, but here Hook seems to genuinely want to help the lost children (Rory Jobst, Mateo Hernandez, Bernadette Carter, Electra Tremulis, Tyler Brockington, Carolyn Waldee, Sissy Anne Quaranta, and Dylan Fahoome). In this show, the war has two sides, those who want to grow up and those who don't. Peter and a portion of the lost children don't ever want to grow up, but Hook and some of the other lost children accept that they are going to get older and grow up. They want to mature and do new things. Growing up is not seen as horrible but as natural. But Peter doesn't want to accept that and seems scared of the idea. There seem to be good things about being childlike--happiness, freedom, and playfulness--but Hook wants to temper that so that there is responsibility and some thought put into things. I think it is telling that Peter grabs the lost children from the most traumatic points in their lives. But because they are kept children they are not allowed to process the trauma or grow. So even though it seems like a rescue it will actually add a lot of issues to their later life. And Hook tries to help them with those issues.

People who would like this show are people who like layered characters, heartfelt Hooks, and Shakespearean Pans. I think this is a great concept and I had a lot of fun. I liked it.

Photos: Beth Rooney

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