Thursday, February 21, 2019

Review of Red Tape Theatre's In the Blood

Once upon a time I went to a show and it was called In the Blood. It was written by Suzan-Lori Parks and it was directed by Chika Ike. It was about a woman named Hester (Jyreika Guest) who had five children who she called her treasures: Jabber (Max Thomas), Trouble (Casey Chapman), Bully (Kiayla Ryann), Beauty (Emilie Modaff), and Baby (Richard Costes). They lived together under a bridge because they could not afford a real house. Each of her children has a different father and as the play progresses we learn the true unromanticized version of how these children came to be. We meet each of the fathers, or women connected to the fathers, who are each played by the same actor as their children. I think this is a really impactful, gorgeously acted play with tons of metaphors to interpret and break down. I loved it.

Hester tells her five children a story about how all of them came to be. It was about how she was a beautiful princess and she had so many people who wanted to marry her that she decided to marry them all. And each of them gave her a child with a different strength and that is how she got the names for each of the children. Each of the actors did a phenomenal job distinguishing the child characters from their adult characters. They also didn't overemphasize the youth of the children. They had behaviors we see in children without making them clichés. I loved all the children, and at some points I would forget that they were played by the same people who played the adult roles because I was so immersed in the performances of the child characters. It exemplifies why Hester loves her children so much because they are so pure compared to the corrupt society around them. It feels like she has to protect them from becoming like her, and it is heartbreaking when we think that she can't.

This show is saying that in our society people are cruel to the poor even though they act like they care. The welfare woman's (Ryann) entire job was to care, but in reality she didn't. She just pretended to care because she was paid for it. She even takes advantage of Hester for her own gain. She gains pleasure, fulfillment for her husband, a relaxed back, and cheap labor on a dress. The show seems to be saying that rich and middle class people like to keep the poor at a distance so they can feel more powerful, important, and successful than others. The Reverend talks about how the world romanticizes the poor, but only the distant poor, because we want to think that the poor near us are poor because they have made wrong decisions. Hester has a lot of children, all by different fathers, and falls for people too quickly, is illiterate, and easily fooled. The point of the play is to shed light on issues like how race, sexuality, and gender relates to poverty. It is not just personal decisions that lead to poverty.

The people who are "helping" Hester manipulate Hester because they know she loves her children more than she loves herself, so they can take sexual advantage of her. Consent is especially complicated in these situations where someone is being willingly manipulated; Hester thinks that she will get what she needs for her and her family if she just does what the "nice" rich man says and doesn't question him. She is literally being f-ed over by society. It is the most visceral way to get across the notion that Hester is being taken advantage of. And a lot is added to visceral reaction by the gorgeous performance of Jyreika Guest. It beautifully combines desperation with power and generosity with pain.

People who would like this show are people who like dark metaphors, compelling child characters, and revealing hard truths. I think this show takes a really beautiful and poetic approach to a very ugly subject. It has a versatile cast, a compelling script, and focused and effective direction. I loved it.


Photos: Austin D. Oie

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